PREFACE

This book contains reproductions of the famous Cottingley photographs, and gives the whole of the evidence in connection with them. The diligent reader is in almost as good a position as I am to form a judgment upon the authenticity of the pictures. This narrative is not a special plea for that authenticity, but is simply a collection of facts the inferences from which may be accepted or rejected as the reader may think fit.

Elsie, left, and Frances in 1920.

I would warn the critic, however, not to be led away by the sophistry that because some professional trickster, apt at the game of deception, can produce a somewhat similar effect, therefore the originals were produced in the same way. There are few realities which cannot be imitated, and the ancient argument that because conjurers on their own prepared plates or stages can produce certain results, therefore similar results obtained by untrained people under natural conditions are also false, is surely discounted by the intelligent public.
I would add that this whole subject of the objective existence of a subhuman form of life has nothing to do with the larger and far more vital question of spiritualism. I should be sorry if my arguments in favour of the latter should be in any way weakened by my exposition of this very strange episode, which has really no bearing upon the continued existence of the individual. – Arthur Conan Doyle, Crowborough, March 1922

CHAPTER I: HOW THE MATTER AROSE

The series of incidents set forth in this little volume represent either the most elaborate and ingenious hoax every played upon the public, or else they constitute an event in human history which may in the future appear to have been epoch-making in its character. It is hard for the mind to grasp what the ultimate results may be if we have actually proved the existence upon the surface of this planet of a population which may be as numerous as the human race, which pursues its own strange life in its own strange way, and which is only separated from ourselves by some difference of vibrations.
We see objects within the limits which make up our colour spectrum, with infinite vibrations, unused by us, on either side of them. If we could conceive a race of beings which were constructed in material which threw out shorter or longer vibrations, they would be invisible unless we could tune ourselves up or tone them down. It is exactly that power of tuning up and adapting itself to other vibrations which constitutes a clairvoyant, and there is nothing scientifically impossible, so far as I can see, in some people seeing that which is invisible to others. If the objects are indeed there, and if the inventive power of the human brain is turned upon the problem, it is likely that some sort of psychic spectacles, inconceivable to us at the moment, will be invented, and that we shall all be able to adapt ourselves to the new conditions. If high-tension electricity can be converted by a mechanical contrivance into a lower tension, keyed to other uses, then it is hard to see why something analogous might not occur with the vibrations of ether and the waves of light.
This, however, is mere speculation and leads me to the fact that early in May 1920 I heard, in conversation with my friend Mr Gow, the editor of Light, that alleged photographs of fairies had been taken. He had not actually seen them, but he referred me to Miss Scatcherd, a lady for whose knowledge and judgment I had considerable respect. I got into touch with her and found that she also had not seen the photographs, but she had a friend, Miss Gardner, who had actually done so. On May 13 Miss Scatcherd wrote to me saying that she was getting on the trail, and including an extract from a letter of Miss Gardner, which ran as follows. I am quoting actual documents in this early stage, for I think there are many who would like a complete inside view of all that led up to so remarkable an episode. Alluding to her brother Mr Gardner, she says:
“You know that Edward is a Theosophist, has been for years, and now he is mostly engaged with lecturing and other work for the Society … I wish you could see a photo he has. He believes in fairies, pixies, goblins, etc — children, in many cases, really see them and play with them. He has got into touch with a family in Bradford where the little girl, Elsie, and her cousin, Frances, constantly go into woods and play with the fairies. The father and mother are sceptical and have no sympathy with their nonsense, as they call it, but an aunt, whom Edward has interviewed, is quite sympathetic with the girls.
“Some little time ago, Elsie said she wanted to photograph them, and begged her father to lend his camera. For long he refused, but at last she managed to get the loan of it and one plate. Off she and Frances went into the woods near a waterfall. Frances “’ticed” them, as they call it, and Elsie stood ready with the camera. Soon the three fairies appeared, and one pixie dancing in Frances’ aura. Elsie snapped and hoped for the best. It was a long time before the father would develop the photo, but at last he did, and to his utter amazement the four sweet little figures came out beautifully!
“Edward got the negative and took it to a specialist in photography who would know a fake at once. Sceptical as he was before he tested it, afterwards he offered £100 down for it. He pronounced it absolutely genuine and a perfectly remarkable photograph. Edward has it enlarged and hanging in his hall. He is very interested in it and as soon as possible he is going to Bradford to see the children. What do you think of this? Edward says the fairies are on the same line of evolution as the winged insects, etc, etc. I fear I cannot follow all his reasonings, but I knew you would be keenly interested. I wish you could see that photo and another one of the girls playing with the quaintest goblin imaginable!”
This letter filled me with hopes, and I renewed my pursuit of the photographs. I learned that they were two in number and that they had been sent for inspection to Miss Blomfield, a friend of the family. My chase turned, therefore, in that direction, and in reply to a letter of inquiry I received the following answer:

The Myrtles, Beckenham, June 21, 1920
Dear Sir,
I am sending the two fairy pictures; they are interesting, are they not? I am sure my cousin would be pleased for you to see them. But he said (and wrote it to me afterwards) that he did not want them to be used in any way at present. I believe he has plans in regard to them, and the pictures are being copyrighted. I don’t think the copyright will be his …
Yours sincerely,
E Blomfield

This letter enclosed the two very remarkable photographs, that which depicted the dancing goblin, and the other of wood elves in a ring. I was naturally delighted … At about the same time I received a letter from another lady who had some knowledge of the matter:

29 Croftdown Road, Highgate Road, June 24, 1920
Dear Sir Arthur,
I am glad to hear that you are interested in the fairies. If they were really taken, as there seems good reason to believe, the event is no less than the discovery of a new world. It may not be out of place to mention that when I examined them with a magnifying glass I noticed, as an artist, that the hands do not appear to be quite the same as ours. Though the little figures look otherwise so human, the hands seemed to me something like this. (There followed a sketch of a sort of fin.) The beard in the little gnome seems to me to be some sort of insect-like appendage, though it would, no doubt, be called a beard by a clairvoyant seeing him. Also it occurs to me that the whiteness of the fairies may be due to their lack of shadow, which may also explain their somewhat artificial-looking flatness.
Yours sincerely,
May Bowley

I had learned that Mr Gardner was a solid person with a reputation for sanity and character. I therefore wrote to him [and received] the following reply:

5 Craven Road, Harlesden, June 25, 1920
Dear Sir,
… The children who were concerned are very shy and reserved indeed … They are of a mechanic’s family of Yorkshire, and the children are said to have played with fairies and elves in the woods near their village since babyhood … The actual negatives I submitted to two first-class photographic experts, one in London and one in Leeds. The first, who was unfamiliar with such matters, declared the plates to be perfectly genuine and unfaked, but inexplicable! The second, who did know something of the subject and had been instrumental in exposing several “psychic” fakes, was also entirely satisfied …
Sincerely yours,
Edward L GARDNER

[Conan Doyle met Gardner and] it was arranged that he should handle the personal side of the matter, while I should examine the results and throw them into literary shape … In the meantime, I showed the positives, and sometimes the negatives, to several friends whose opinion upon psychic matters I respected. Of these Sir Oliver Lodge holds a premier place. I can still see his astonished and interested face as he gazed at the pictures, which I placed before him in the hall of the Athenæum Club. With his usual caution he refused to accept them at their face value, and suggested the theory that the Californian Classical dancers had been taken and their picture superimposed upon a rural British background. I argued that we had certainly traced the pictures to two children of the artisan class, and that such photographic tricks would be entirely beyond them, but I failed to convince him, nor am I sure that even now he is wholehearted in the matter.
My most earnest critics came from among the spiritualists, to whom a new order of being as remote from spirits as they are from human beings was an unfamiliar idea, and who feared, not unnaturally, that their intrusion would complicate that spiritual controversy which is vital to so many of us. One of these was a gentleman whom I will call Mr Lancaster, who, by a not unusual paradox, combined considerable psychic powers, including both clairvoyance and clairaudience, with great proficiency in the practice of his very prosaic profession. He had claimed that he had frequently seen these little people with his own eyes, and I, therefore, attached importance to his opinion. This gentleman had a spirit guide (I have no objection to the smile of the sceptic), and to him he referred the question. The answer showed both the strength and the weakness of such psychic inquiries …

To get at truth, we submitted the plates to fresh examination, as detailed in the following letter:
[Photo expert] Mr Snelling’s report on the two negatives is positive and most decisive. He says he is perfectly certain of two things connected with these photos, namely: 1. One exposure only; 2. All the figures of the fairies moved during exposure, which was “instantaneous”.

[Conan Doyle took the negatives to the Kodak Company in Kingsway, where two professionals] could find no evidence of superposition, or other trick. On the other hand, they were of opinion that if they set to work with all their knowledge and resources they could produce such pictures by natural means, and therefore they would not undertake to say that these were preternatural … It was clear that at the last it was the character and surroundings of the children upon which the inquiry must turn, rather than upon the photos themselves.

[He goes to Cottingley and meets the girls, and learns that one of them had already explained that] she had no power of any sort over the actions of the fairies, and that the way to “’tice them”, as she called it, was to sit passively with her mind quietly turned in that direction; then, when faint stirrings or movements in the distance heralded their presence, to beckon towards them and show that they were welcome. It was Iris who pointed out the pipes of the gnome, which we had both taken as being the markings of the moth-like under-wing. She added that if there was not too much rustling in the wood it was possible to hear the very faint and high sound of the pipes. To the objections of photographers that the fairy figures show quite different shadows to those of the human our answer is that ectoplasm, as the etheric protoplasm has been named, has a faint luminosity of its own, which would largely modify shadows …

I will now make a few comments upon the two pictures, which I have studied long and earnestly with a high-power lens. One fact of interest is this presence of a double pipe – the very sort which the ancients associated with fauns and naiads – in each picture. But if pipes, why not everything else? Does it not suggest a complete range of utensils and instruments for their own life? Their clothing is substantial enough. It seems to me that with fuller knowledge and with fresh means of vision these people are destined to become just as solid and real as the Eskimos. There is an ornamental rim to the pipe of the elves which shows that the graces of art are not unknown among them. And what joy is in the complete abandon of their little graceful figures as they let themselves go in the dance! They may have their shadows and trials as we have, but at least there is a great gladness manifest in this demonstration of their life.
A second general observation is that the elves are a compound of the human and the butterfly, while the gnome has more of the moth. This may be merely the result of under-exposure of the negative and dullness of the weather. Perhaps the little gnome is really of the same tribe, but represents an elderly male, while the elves are romping young women. Most observers of fairy life have reported, however, that there are separate species, varying very much in size, appearance, and locality – the wood fairy, the water fairy, the fairy of the plains, etc.
Can these be thought-forms? The fact that they are so like our conventional idea of fairies is in favour of the idea. But if they move rapidly, have musical instruments, and so forth, then it is impossible to talk of “thought-forms”, a term which suggests something vague and intangible. In a sense we are all thought-forms, since we can only be perceived through the senses, but these little figures would seem to have an objective reality, as we have ourselves, even if their vibrations should prove to be such that it takes either psychic power or a sensitive plate to record them. If they are conventional it may be that fairies have really been seen in every generation, and so some correct description of them has been retained …

One or two consequences are obvious. The experiences of children will be taken more seriously. Cameras will be forthcoming. Other well-authenticated cases will come along. These little folk who appear to be our neighbours, with only some small difference of vibration to separate us, will become familiar. The thought of them, even when unseen, will add a charm to every brook and valley and give romantic interest to every country walk. The recognition of their existence will jolt the material 20th-century mind out of its heavy ruts in the mud, and will make it admit that there is a glamour and a mystery to life. Having discovered this, the world will not find it so difficult to accept that spiritual message supported by physical facts which has already been so convincingly put before it.

All this I see, but there may be much more. When Columbus knelt in prayer upon the edge of America, what prophetic eye saw all that a new continent might do to affect the destinies of the world? We also seem to be on the edge of a new continent, separated not by oceans but by subtle and surmountable psychic conditions. I look at the prospect with awe. May those little creatures suffer from the contact and some Las Casas bewail their ruin! If so, it would be an evil day when the world defined their existence. But there is a guiding hand in the affairs of man, and we can but trust and follow.

[Conan Doyle’s publication of the photos in the Strand magazine caused a sensation, with most observers crying “Fake!” He spends a great effort in fending off the sceptics, citing many other cases and recording the testimony of eyewitnesses. In August the girls were given a fresh camera, and the photos they produced, Doyle said, overcame] any doubts which had remained in my mind as to honesty … for it was clear that these pictures, specially the one of the fairies in the bush, were altogether beyond the possibility of fake …
[One photo, Gardner wrote, showed a fairy] leaping rather than flying. It had leapt up from the bush below five or six times, Elsie said, and seemed to hover at the top of its spring. It was about the fifth time that it did so that she snapped the shutter. Unfortunately, Frances thought the fairy was leaping on to her face, the action was so vigorous, and tossed her head back. The motion can be detected in the print. The fairy who is looking at Elsie in the other photograph is holding a bunch of fairy hare-bells. I thought this one had “bobbed” hair and was altogether quite in the fashion, her dress is so up-to-date! But Elsie says her hair was close-curled, not bobbed …
[In another shot is a] central ethereal cocoon shape, something between a cocoon and an open chrysalis in appearance, lightly suspended amid the grasses, is the bower or cradle. Seated on the upper left-hand edge with wing well displayed is an undraped fairy apparently considering whether it is time to get up. An earlier riser of more mature age is seen on the right possessing abundant hair and wonderful wings. Her slightly denser body can be glimpsed within her fairy dress. Just beyond, still on the right, is the clear-cut head of a mischievous but smiling elf wearing a close-fitting cap. On the extreme left is a demure-looking sprite, with a pair of very diaphanous wings, while just above, rather badly out of focus, however, is another with wings still widely extended, and with outspread arms, apparently just alighting on the grass tops …

[Still more photos emerged, and a clairvoyant joins the girls in the woods and attests to their claims. Doyle related the beliefs of the Theosophical Society, a member of which records different “species” of “etherics” around the world, from] the vast plains of the Dakotas, inhabited by a black-and-white kind which I have not seen elsewhere, and California rejoices in a lovely white-and-gold species which also appears to be unique. In Australia the most frequent type is a very distinctive creature of a wonderful luminous sky-blue colour; but there is a wide diversity between the etheric inhabitants of New South Wales or Victoria and those of tropical Northern Queensland. These latter approximate closely to those of the Dutch Indies.
Java seems specially prolific in these graceful creatures, and the kinds most common there are two distinct types, both monochromatic – one indigo blue with faint metallic gleamings, and the other a study in all known shades of yellow – quaint, but wonderfully effective and attractive.
“A striking local variety is gaudily ringed with alternate bars of green and yellow, like a football jersey. This ringed type is possibly a race peculiar to that part of the world, for I saw red and yellow similarly arranged in the Malay Peninsula, and green and white on the other side of the Straits in Sumatra … [and on to Ceylon, New Zealand, India, the slopes of Vesuvius and Etna and Yellowstone Park.]

I have now laid before the reader the full circumstances in connection with the five successful photographs taken at Cottingley. I have added the experience of a clairvoyant officer in the company of the girls upon the third and unsuccessful attempt to get photographs. I have analysed some of the criticism which we have had to meet. I have given the reader the opportunity of judging the evidence for a considerable number of alleged cases, collected before and after the Cottingley incident. Finally, I have placed before him the general theory of the place in creation of such creatures, as defined by the only system of thought which has found room for them. Having read and weighed all this, the investigator is in as strong a position as Mr Gardner or myself, and each must give his own verdict. I do not myself contend that the proof is as overwhelming as in the case of spiritualistic phenomena. We cannot call upon the brightest brains in the scientific world, the Crookes, the Lodges, or the Lombrosos, for confirmation.
But that also may come, and for the present, while more evidence will be welcome, there is enough already available to convince any reasonable man that the matter is not one which can be readily dismissed, but that a case actually exists which up to now has not been shaken in the least degree by any of the criticism directed against it. Far from being resented, such criticism, so long as it is earnest and honest, must be most welcome to those whose only aim is the fearless search for truth.